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"Because he wants to marry Isabella Dallas." "Ask de great massa," said Dido once more. "Isn't it jolly—to be here in a real Academy of Fine Arts, just like all the famous artists when they were young and unknown? Doesn't it make you feel all excited and quivery, Norn?" asked Patricia, as she fitted her key into the narrow gray locker with an air of huge enjoyment. "I don't see how you can look so cool. You are as calm and refrigerated as a piece of the North Pole.".

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Patricia put her questions tremblingly, for she feared the stern, strange face of the boy in knickerbockers. She had seen him playing and shouting in the square on other days, and the change was so great that she felt death alone could have wrought it. But he answered evenly that 'Geraldine was just the same,' and was closing the door when Patricia stopped him. After a hasty parley, on his part, at first stubborn and then yielding, the door closed and Patricia, with beating heart, ran down the steps and hurried to the side of the house where the long windows of the drawing room protruded their iron balconies over the sidewalk. "How do you know that?" asked the inspector sharply. "Sure we will," interposed Tom Hughes in an unexpectedly audible stage whisper, which greatly confused him, but delighted Patricia and David. "I've got it!" she said, eagerly turning to Elinor. "I've got the idea for the sort of thing you meant. I'll do Judy just as she is—you'll pose, won't you, Ju? I won't be too hard on you.".